JAMIE TOWNSEND
BE SURE TO WEAR FLOWERS IN YR HAIR
Femme fatale bent
Imperious over a tall drink
Dripping with sherbet
Sweating, God calls not it
We linger at the ocean
To pretend your interest still exists
The separation between
Water and sky disappears
It’s like Basic Instinct
vs Fatal Attraction
Cold blood under the mask of
Domestic bliss
what the California coast line engenders
A sunset dramatic enough
To transform a stock image
Into attention
Into last call
Sun meet the end of all our days
EYE CANDY
We crave the most delicate treats possible
With a mix of modesty and rapaciousness
Our body is a sensefield, all buzzing satisfaction
Swelling with milk from the source
Miley Cyrus tried to reclaim it though she’s returned
To the country that once spat her out lukewarm
Pasties are both a shell and lure toward what’s beneath
Even the package is slobbered over
We pursued a career of decoration
In a manner that still feels meager, even starving
Purple frosting is not a fruit
A tiny bride is not an edible arabesque, not a cursive script
Let them eat cake until they’re queasy
Until staleness chokes out them
We’re always talking about insecure men
Their irrefutable taste
How having a body is a sin
And subject to condemnation
We can’t get it out of our mind the man
Fed spaghetti until he burst in Seven
Or barely existing in a vacuum that denies everything but hunger
Where a cold gaze drifts on the slightest movements
Ass, thighs, a fat beating heart
Our tenderness backlit for display
A dick always finds someplace to hide in plain sight
A little dough goes a long way
LAMICTAL
You don’t shield a baby from time
It just creeps up on them and zap
A lightning rod with face powder
A mess all over the receipt
The song says we were born this way
Our shit don’t stink, we smile and spread it
On the walls a forcefield
To keep out the threat of good taste
There are too many temptations to control
We’re taught deescalation and regress
Into the smugness of a safe room
A translucent plastic bin
Where we keep our toiletries
We lug around the vulnerability of it
With something approaching pride
A soft boy with a big stick
Knocking the sun out of the sky
Jamie Townsend is a genderqueer poet and editor living in Oakland. They are half-responsible for Elderly, a publishing experiment and hub of ebullience and disgust. They are the author of "Pyramid Song" (above/ground press, 2018), and "Sex Machines" (blush, 2019) as well as the full-length collection Shade (Elis Press, 2015). They are also the editor of "Beautiful Aliens: A Steve Abbott Reader" (Nightboat, 2019) and "Libertines in the Ante-Room of Love: Poets on Punk" (Jet Tone, 2019).