JOHN RUFO
&
I’m on to everyone’s imaginable shit
I mean I’m on that that
thing you’re on I’m on
the on-ness you put me on the
ontology of oracular devices I’m
on the on-site head on
each and every one I’m on
my hone and on the nail
hitting on my own self
and its –ishness irregardless
of thank yous and
acknowledgement my known
and know nothing-ness is on it
and your honor I’m honey
combed
Shot Screen
slept in sleeping over
underslept the murmur
-ing ringing of fear-alert
on highways the very still feeling
of awakenness breaking
over windshields and not moving
while crashing while cruising
the future utopic activities
involve angels
their lack of shit
-ing resting and cry
out for the ones you hate
in horrible chorus
like swarm
murder
school
congregation
pride
Overdub
Anti Pastoral
When/where/how is it I was reading the word moiety
I remember the world moiety swishes in gums sticky stuck tooth
“ each of tw
o parts
into which a thing is
o r can b e
divi
ded. ”
These are two lakes: [round] and [green]. Not only an oddity but born together, twins in their decision to abstain from their features facing sunlight to move, and the bottom to stay still and salty and dense and sweet in the sweetness salt stamps.
I can’t pronounce the name given to the lower layer / lair : monimolimnion.
water as wilderness animal : water as inhabiting a home : “one that is well hidden” / lair
I do not have a place to work, says Bhanu.
water having a place to work, either I do wonder if water had a desk what it would do with it
(There is a water table ???? )
But just because these waters do not cross the boundary “the chemocline” // does not
mean it does not acknowledge the other. That a separation, which is how I read C’s /
/////
underlines an un-looking, a quiet. Quiet is not the same as silence.
I want to write a poem that is a single word in its lair:
not to single out the word but to singly sing the word, to put it under a microscope like a rock or a particle of sediment, to examine the word with care, to love the word, to cough it up
I want to write a poem that invests fully in the breadth
of the page and its spaces
Two feature two systems in the same space
Bhanu talks textures
that cannot be transplanted
My friend K two years ago moved away from me / to Oxford
Mississippi. She wrote a book titled “We Are All Transplants.”
She was not wrong in her transplantation, theory
and actuality –
but the spaces stay put. The plates
are all scorching how do the places stay
put they are still moving they are going without we
I worry about
the sentences and how simple they are
as if a plainness cannot communicate
I type the same word over and over and I begin to understand how the same word above and below
is changing and flipping and intermingling and bowing and crossing itself but it is not but it is not
but the ecosystem grows it changes it stays it changes it stays it bodies
“A Poet is the most unpoetical of any thing in existence; because he has no Identity - he is continually in for - and filling some other Body - The Sun, the Moon, the Sea and Men and Women who are creatures of impulse are poetical and have about them an unchangeable attribute - the poet has none; no identity - he is certainly the most unpoetical of all God's Creatures.” Keats in a letter to MY DEAR MR WOODHOUSE groans from his grave
WHY WOULD A POET BE UNPOETICAL AND WHAT WOULD IT EVEN MEAN
TO KEEP FILLING OTHER BODIES I HAVE AN IMPULSE I AM A CREATURE I AM
NOT FILLING OTHER BODIES BUT SEEING THEM OVER THE BOUNDARY THROUGH
THROUGH THE /
IN BETWEEN THE UNBROKEN LINE /
I write about Carrie’s book: “To show a broken line without breaking it.”
To show
To be willing to show
To play red earth
we were in jaipur we were in clay we were under the same
blue sky we were living a pink scene online we were a we
while we were also without
# of eyes not watching God / watching us
u.s. clusters, clusters of froth
clusters of fuck-up spate
computers copulating with cloisters
for slam-monks / hackers
statements of the state
stating nothing but
men-meaning so
be it so bent
the surveilled pot boil
blood tribute 2 tributaries
2 the flowing that mixes
with the macro-waters
screaming their curdled ecstasies
and breaking windows over loam
THE SPUME U SPURNED
ALL MOUTH-WAVES ARE FROTHING
HUNGRY 4 YR BOATS
no effluents are affluent
no money for water
water-money leaps thru yr fingers
as if yr fingers were fences
yr fingers are borders
and oceans w/ that gravitas graffiti
Nature pushes the fuck back
Nature pushes the fuckboys back
Nature has no time for yr colonial maneuvers
I meant manure / I meant horse-shit
I re-group
I retain
I re-read
I study the sun and its various storms
solar blasts
with no exemption
“the power to fry satellites,
crash ATMs and strand
airplanes in the sky”
the sun does not leak cash
all yr wars are named the same
it spits fire
declares yr declaration
dead after the hundred years
you bestow with longeveity
positively solely two shakes
of a lamb’s tail
tried 2 shorn me and shown me
tried 2 beg me the un-asked for
the curd the basis for cheese
the cheese the basis for fat
to frontload pleasant distortions for cold days
the powers we eat
the powers we eat
the powers that eat
fight the powers that eat
I interview a grass-blade
she announces the name of every motherfucker
pale moon
so full
of itself
i put the money in my ground
and it grows
John Rufo works on and through poetry and is the author of several deleted books. He lives in Riverside, CA. You can find him online at dadtalkshow.tumblr.com.