KIRSTEN IHNS
bap tart powerglide
the shape receives its alien guests—honors and devours them
/hold still, i like to be generous
then i get that
/immobility of a sentiment which has swallowed whole rabbits/
i see farther is a thing from you
i see your salivary power glide
do some donuts
in the donut shop
parking lot
/hot
i think let me live like a terrible thing all year
a swarm of little inconsistent objects, passing on the stage
as the stage
then off
/would you feel me in your chest
clatter down your labored respiration
i reproduce by kind permission
and can i place you in this ghost
let you fur me very feely
touch expensive for no reason
splashing in the neon dream of satin sheets and peanut
butter toast—
it comes again
i like to draw it out
in the object matter of relation
leaf matter
litter, let’s take it slow
where even the showboat climbs your household
so many things i prefer to self control
one thing is certain: the rest is lies
i couldn’t put its significance anywhere
so i left it out
and the birds took it away, made nests out
of it i released some birds into a corner
called time
is the dream where you move
at several various
speeds at once
by the time it got out of the pool i was completely in existence
which takes place under an aspect of the pool
ruthless, i drag it out of the pool to expose it to time
mostly, i prefer to stay in the pool
says the aspect
running toward the trash heap, the pool ran
in one exclusive direction
because of the heat, sometimes even god uses a visit to the pool
and the answer is it
i attached the point of the pool to a shaft
and dispatched it through the air as an arrow
anne-marie did not receive it
Y’ALL, THE SINGER IS DONE WITH IT
she does not want some sparkling water
cavity instructional
give the candy and flowers to someone who eats them
press the mouth to the incision, say into it
rose salt of the gray himalaya
cross into notwithstanding
deploy the kitchen weapon
past what threshold expectation
describes:
rising like a purse surface
take the orders of a lawless process
keep them faithfully, and with you
at all times
do you have leopards or chocolate for sale, and how about
a string indecency, mad apple bubble
gum, cheese, cups for the large ice, cleanliness
let’s dismount the beach of our kind new vision
sleep
the kind you can stay in
i don’t have any problem
i have a lot of experience
i have a fantasy, about tetanus
it goes like this:
the crush injury
the injury with dead tissue
the jaw inhabits the true miracle fixity
the surveillance for clinicians
the tightness, non-entrance
the witness the witness
and machines, to help you breathe
deep sea sunday
you know i love to ask for mercy
but on the lawn, ice is not, assuredly, sea creatures
/so they tell me
i was watching you, too, though i was
the one that was fake looking?
that fish is called a sturgeon
daddy or nobody else
they still don’t know what that noise was and it moves
activities we can do while the moon
on a clear night
over a long expanse of lawn
shines. the monster squid
from #4 can be a colossal squid
because it was much bigger
than a giant squid or
sunbeams, what if i don’t get to talk to you
in all this good lighting
we have?
and in what body would you keep it? let it out
snap its leash, lay my fine life at its regular feet
always Photo Shop their photos when it includes the hugest animals
on this topic meanwhile, i’ll tell you, what do sunfish taste like?
can i order it to eat it?
can i order it to eat naturally?
can i order it to eat any object?
number three looks like a Stur Gene, photo shopped, i think
it was to include huge animals, that we did it
meant no harm to any creature, any fancy vision
she communicated extremely clearly: “let us go out then, and dance”
i invite the lightning in, i make it tea
and who would leave such a splendid chance? i’m for scientific options
and the splendor of a wicked tune
snapped over the lined-up
no, it was merely some kind of stride you were
walking through
Hackchetfish are found in Finding Nemo
Penguins aren’t sea creatures, they’re birds!
i like how you sound
so enthusiastic
but why can’t
anyone hold their camera steady?
i went to the man who was in charge
and found him like a sordid conclusion
you don’t have to develop your photo shop in the dark
any more
i said, removing the pins around the door
speaking very slowly
why are octopuses goo, at war
i said and dropped the last and wait
in the sudden light i couldn’t see his face
are you doing just fine?
i could have fired this water
clear across the dry
rattling sound the sun would make as it streamed
i swear a whole sunbeam in my eye
‘s the only thing that stopped me
you’re a liar, said the man in charge
almost like a person does,
walking his stride through the whole damned door
on the leash i had snapped and left on the
grass
we were outside, after all
Kirsten Ihns is a graduate of the Iowa Writers' Workshop, and is currently a Ph.D. student and Neubauer Presidential Fellow in English Literature at the University of Chicago, where she studies texts that seem to want to be images, and works on the poetry staff of the Chicago Review. Winner of the 2016 Black Warrior Review Poetry Prize (judged by Hoa Nguyen), and the 2018 Ron Offen Poetry Prize (judged by Duriel Harris), her poems have appeared or are forthcoming in The Iowa Review (online), inter|rupture, The Offing, Yalobusha Review, Black Warrior Review, BOAAT, theme-can, New Delta Review, TAGVVERK, and elsewhere. She is from Atlanta, GA.