ANUEL RODRIGUEZ
Like Seed, Like Wrath
A dead end leads to a trailer with a chained up
brown dog with human-sick eyes.
The cars and trucks
along the road are pollinated with dust and dirt,
and it feels like I’m witnessing
the conception
of a new Dust Bowl.
A Confederate flag is taped
to the door of
another trailer.
I watch an egret pause
itself in
brackish water nearby; it’s the same color
as a white hooded ghost.
Everything here is sinking
into the darkening mud. Clusters of abandoned boats
in an ocean of reeds
make me wonder if
time is an
avalanche.
I once split myself
in two because I hated the things I loved.
I once dreamed of my father picking up a
spiked paddle
off the ground near a sculpture of a giant light bulb.
He said he wanted to try planting it in a hole in his garden
to see if a new cactus would grow. When I woke up the next morning,
I did the same thing with my wrath.
Only I buried it in a
tooth-shaped hole where no one could find it.
As my secret cactus grew,
I would feel its blooming flowers
like yellow flames splitting me open from the inside.
I’m tired of using my heart
as bait to try and catch my
detached shadow in my crooked jaw.
There are no grapes
to transform here and no wine to drown in.
Maybe God
is really an egret or a ghost formed from
our leftover
light and dust.
I leave half of myself behind in a town
lost in its skin.
And I return to a bullet-starved existence and wait for the rest
of me to arrive like a scythe,
cutting to the root
of all that creates me.
Vanabin
I was never the color yellow.
I was born blue and never felt
the light of ochre in my veins.
Before I met you, I spent most
nights carving my darkness
like it was anthracite. You said
you always associated me with
Van Gogh and my bipolar heart split
in half like a sunflowering geode.
I could paint myself as a baby seal
wandering lost and disoriented in
the desert, surrounded by black-backed
jackals, under a ripe lemon sun.
I could paint a hole pooling yellow
in my carcass for you to make a home
inside. I know I want to be cremated
when I die. Maybe my ashes can be
turned into a pear tree that you could
rest under—each fruit would be a yellow
city waiting to be skinned from its shell.
Garden Suitcase Altar
I can feel parts of me spinning away from myself
like moons wrapped in skin or brown paper bags.
I spent most of the morning Googling dead poets,
Jackson Pollock, and cyclothymia. I tried to write
a poem about the green house and chicken coops
I found hidden away in a secret botanical garden.
At the time, I was looking for a nice place to bury
my consciousness, but I was afraid everything would turn
black like my thoughts including the feathers and
bones of the chickens. Some of the red flowers
looked like bell-shaped hearts and the yellow ones
on the cactus plants reminded me of votive candles
made of beeswax. Since I couldn't find a home for
myself in the garden, I made a suitcase altar for it
instead that I could slide under my bed. Inside I
filled it with deformed twigs, flower heads,
and a single rusted orange that I took from a hanging
fruit basket with a bird resting on the edge of it.
It made me think of you and how you tried ending
your life multiple times. You died like a wounded
dove out in the cold and rain with a broken leg
from falling into a ravine. Sometimes I wonder
what it felt like for you trying to escape your own fevered skin
when all you could do was scale man-made walls.
I thought about setting fire to the creek in your name
with the matches in my mouth, but instead, I listened
to the synthesized cries of the peacocks nearby.
I haven't been to therapy in years and the receptionist
said I had to start over with an evaluation. The man
who called me asked me a series of questions over the phone.
I mentioned that I write poetry and he asked me what kind
because he used to write poetry too. He brought up
Emily Dickinson and asked me if I’d ever heard of her.
When I do finally see a psychologist in person, I wonder if
I'll want to draw Aztec icons for him to analyze like I'm Pollock.
Or maybe I'll show him my suitcase altar instead.
Maybe I should stop wearing black for a while and
become a white recluse, clutching shadows between
my teeth like tongues and leaving pearl echoes behind.
Maybe tonight I’ll dream of peacocks singing the blue in my ashes.
Anuel Rodriguez is a Mexican-American poet living in the San Francisco Bay Area. His poetry has previously appeared in Glass: A Journal of Poetry (Poets Resist) and The Acentos Review.